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Definitive London

Oxford Book of Marriage Review

An October's worth of diverse, literate and chilling stories"where the black rat runs with yellow teeth
sharp as sorrow and long as grief"
The editors include more narrative poems, a cartoon that reminds me of Edward Gorey, a story written as a series of letters that tell of a real camp horror, and a story purporting to be an interview with a novelist who explains why she writes horror stories. The book includes a grave-digging story one's grandpa might tell if he had a particularly keen sense of humor and irony, and there are enough traditional tales of horror and terror for any of us, all toned down to a kid's level. The collection even includes several friendly ghosts.
The language of the stories is also marvelous, filled with picturesque similes and not a cliché in sight. Consider these snippets:
"He's got about as much idea of sailing as a camel up an apple tree with its eyes shut." (From "Dear Jane" by Shelia Lavelle)
"... a smile like stretched elastic." (From "A Change of Aunts" by Vivian Alcock)
"They dodge ... the long snakes of reclaimed trolleys, their guides at the rear slumped like galley slaves." And "The aisle is crowded. Trolleys lie in all directions like ships of a scuttled fleet. But his mother negotiates them and the people clinging to them like a confident pilot...." (From "Supermarket" by Dennis Hamley. btw, "trolleys" is brit speak for "shopping carts.")
The illustrations are almost as varied as the styles of the stories and were a bit distracting until I became absorbed in the stories. I just thought of the experience like reading short stories form one children's magazine after another or like reading from a stack of picture books. All different stories, all different illustrators.
With over thirty short stories, The Oxford Book of Scary Tales gives an October's worth of reading and will take a reader all the way to Halloween. I bought this book for my daughter years ago because I was so fond of another collection of scary tales written for adults and entitled The Oxford Book of English Ghost Stories. That book is edited by Michael Cox and R. A. Gilbert. Older children may want to progress to that collection for next October's reading.
Linda Murphy
...


No nation has more poetry in her soul than does Scotland

Teaching ESL to working students

Great dictionary- no need to invent terms!

A wonderful gift for inquisitive children

The color makes a big difference...

Color? Who cares, but a great little dictionaryIt was a nice surprise to find out that this is a VERY GOOD dictionary. Sure, it's not as good as full-sized Cassell's or Oxford-Duden, but for the size (portable) and cost, it's great. Many idioms are included, and I'm finding that I reach for it even when home with my big Cassell's within reach. Ein guter Kauf!


A valuable overview of Australian history.
Part I includes observations and rememberings of monks, poets, diplomats, clerics, and royals (being the major divisions of literate people during the 12th to 18th centuries). Included are visions of Chaucer and Shakespeare, Nashe and Donne, Jonson and Herrick, Hobbes and Pepys. The texts include passages from person diaries and newspaper headlines such as 'A Whale in London' circa 1658. All sides presented, as a perusal of headlines will show: "A Revel! A Revel!' balances 'An Absolute Hell on Earth'. Here you will be introduced to (or reminded of) Wat Tyler, Moll Flanders, John Boswell; you'll walk the streets as seen by Mozart and Haydn.
Part II narrows the focus a bit, and when most people think about 'Old London', it is in fact this period of time to which most of them harken back. The nineteenth century saw London's explosive growth and true development as an imperial world city. In 1834 Thomas de Quincey published 'The Nation of London'; excerpts are here. Wordsworth and Blake wrote of London during this period, as did Keats and Thackeray (his 'How to live well on nothing a year' is wonderful). This is also the London of Dickens and Sherlock Holmes, perhaps the two visions of London that endure most. The rise of popular press also took hold during this period -- the true miracle here of this section is that it does not go on for a thousand pages.
Part III is a similar miracle. London is established, in many ways a city of unparalleled urban blight (Jack London--hmmm, where do you suppose he got that name?--called it a 'vast and malodorous sea'). Shaw's post-Victorian London images remain firm in our minds, as does E.M. Forster's; T.S. Eliot describes London as an 'Unreal City', yet, for the fire wardens during the war, the city was far too real, and far too flammable.
One is inclined to agree that London is in many ways the 'Capital of all Capitals', to quote Steen Eiler Rasmussen (1937), and yet, while there is hopefulness in the latest visions of London, there is also a sadness and an underlying fear that perhaps the best days are behind.